Lyricist & Composer Toby Marlow
Playwrights: Toby Marlow & Lucy Moss
Believe all of the hype you may have heard, Six is a concert-style musical which, like its women, will stand the test of time.
Any Fringe-goer with an ear to the ground knows Six is one of the most anticipated shows this year. Whilst the executioner may have claimed Anne Boleyn and Catherine Howard – can they survive the hype? Oh, honey, these ladies haven’t just (divorced, beheaded) survived, they’ve thrived.
Fed-up with simply being part of a rhyme, the six wives of Henry the VIII decide to strike out on their own in the form of a band. Who should be lead vocals though? Surely it must be the one Henry was wed to the longest, Catherine of Aragon? Or perhaps the one he truly loved – Jane Seymour? Vengeful, driven to sing their side of history, these women have finally decided to step out of the shadows of men, spotlight and crown first.
Not a single number falters; from pop to techno-house, the writers of Six have excelled themselves with this marriage of entertainment, drama and engaging lyrics. Nowhere is this showcased better than through dearly forgotten Catherine Howard. Her overtly sexualised depiction in media is lampooned by Six, yet her characterisation still respected. What starts as light-hearted and passionate quickly descends as her face contorts, shifting into anguish. The twisted distortion crossing her gaze, the unyielding hands grasping and clutching at her frame, Catherine suddenly becomes to most relatable Queen for women in the audience.
Literature makes us think we remember these six women due to their husband when in reality, we remember him due to these fascinating individuals. Without them Henry VIII’s accomplishments, invasions and shortcomings would indeed have been documented, but would culture have held onto him so? History may have been written by men – but this time it stars women, and quite rightly so
Review originally published for The Skinny:
Tickets available from Capital Theatres: