For many years now a Canadian treat has found itself a warm home in the centre of Edinburgh, as the Festival Theatre hosts the Banff Mountain Film Festival in the shadow of our very own Arthur’s Seat. An international film competition, originating back in 1976 from the Canadian town of Banff, Alberta, the Mountain Film Festival celebrates upwards of 300 films, whittling them down to a final competing set which tours globally.
Promoting two spectacular programmes, labelled Red & Blue, Banff Mountain Film Festival moves from a simple evening affair into an experience for the whole day/weekend. This evening, witnessing the Red programme first-hand it cannot be stressed how envious you feel knowing others in the theatre were smart enough to catch both programmes. An evening of accomplished filmmakers captures the mind-boggling intensity of human endurance, far-flung cultures, and on occasion, our compassion towards one another and the environment around us.
There’s little which can be gained in reviewing the films showcased at the event, as the quality of each is superb. What is striking, however, is the variety in which the audience find themselves sampling. If onlookers view this as an event purely for the climbers, extreme sports fanatics or hikers – you couldn’t be more mistaken. Banff has polished their festival into a welcoming environment, with brief, but efficient live interludes to introduce film segments and handle this evening’s most important aspect; giveaways.
Particular highlights which, in essence, capture the event’s atmosphere spectacularly are the found in Danny Day Care, Reel Rock: Up to Speed and a near feature-length tour edit of Sarah Outen’s four-year journey across the globe. A tremendous piece, not only as an example of the human condition but of time-lapse film making keeps the audience on tenterhooks for the entirety of the film. Other films provide a fount of knowledge, both for the accomplished enthusiast and those of us spooked by the heights – and on occasion, a whole heap of unexpected hilarity.
It isn’t all about the big-budget however, select small-scale productions still invigorate a sense of adventure, containing the sort of fear-inducing stunts which would panic any mother. Celebrating dedication, Thabang offers an account of Thabang Madiba’s dedication and eventual pay-off, becoming the first black South African to represent the country in running. Touching, with multiple first-hand interviews, it’s an accomplished piece which opens our eyes to sporting legends and competitors we hadn’t known existed.
Still, at the heart of it all there’s an element of business, but a tasteful display rather than corporate. Transforming the festival into a full-blown event, people taking inspiration from there films, or even just keen beginners can find merchandise for Banff themselves, and the occasional piece from other suppliers and sponsors of the events.
Whirring, it transforms the Festival Theatre in a peculiar way not traditionally associated by many of the traditional theatre crowd. An award-winning lineup, with an award-winning team of producers, runners, hosts and event staff – there’s little wonder why the Banff Mountain Film Festival draws in a diverse crowd of eager film watchers into Edinburgh, finding itself as an annual tradition awaiting discovery for many more.
Tickets for the Banff Mountain Film Festival can be found at: https://www.banff-uk.com/tickets
Banff Mountain Film Festival finishes it’s Scottish tour in Glasgow King’s Theatre on February 25th