Feeling like this year has sucked a bit of magic out of the summer? Perhaps after all that home-schooling, some of the little (and older) ones could do with some energising, phantasmic entertainment? Well, ready those special magic words, hold on tight and prepare to be astonished at the wizardry of Magic Gareth Live.
Despite the Edinburgh Festival Fringe taking a hiatus for 2020, that’s no reason not to conjure up your own magic with Gareth! Direct from your home, there’s now the chance to become your very own ‘virtual magician’s assistant’, without even leaving your Pjs. Take your place in a new Magic Circle live on Zoom with up to fifty other guests as you all try to figure out the sorcery before you.
No stranger to the digital medium of performance, and while other acts are still finding their footing with the change in scenery, Gareth has already hosted over 300 live virtual shows to tremendous appreciation and enjoyment. Magic Gareth has been crafted with a whole hat full of tricks, illusions and secrets which have been specifically designed with the viewers in mind.
Spellbinding the nation from August 2nd, Magic Gareth will be hosting his virtual events each morning at 11 am each day until August 9th.
Abstracts and quotations taken from syndicated interview by Diane Parkes
Death is just around the corner, so why not go in style? Or at the very least, throw a few punches first. Despite the inevitability, we never discuss death – who can blame us? Vamos Theatre, however, envisions Dead Good as an accessible way of prying open the door to open discussion.
We start our story at the end of theirs; told that they are dying, Bob and Bernard embark on one last grand adventure, living every ounce of time they have left to the fullest. The two men come to realise the values of life, love and wealth friendship can offer. Marrying tragedy with the mask of comedy, writer & artistic director Rachael Savage wants: “to demystify death and take the fear out of it” while incorporating a thirst for life and appreciation of humour.
There is one thing our attitudes towards mortality can be truly harvested for – laughs. It’s a fact that artistic producers are capable of finding the fun in funeral, Savage seeking to entertain as much as she wishes to leave audiences with discussion as well as memories;
“I think people expect to go away from one of our shows having laughed and cried and with something to think about”
In collaboration with palliative care patients and specialists, Dead Good continues Vamos Theatre’s dedication to creating theatre encompassing under-represented groups, Savage stating:
“I give people a voice who often don’t have one, so our shows have to be about things that I am passionate about and that I want to make people think differently about.”
As part of their research, for 18 months, Vamos Theatre gained first-hand experiences and opinions on the subject of mortality, and the attitudes surrounding this to capture authenticity. Further, the buzz and determination behind the production secure an understanding that those behind Dead Good have created the piece with solid intentions.
Due to the production’s nature of mask use, the communication method of the show welcomes anyone, being fully accessible to deaf audiences without a signer.
Aron De Casmaker, a Canadian clown performer who honed his skills with Cirque du Soleil plays Bob. Ringing the delicate matter of death to the nation, and is certainly one to catch for its two-night stay in Edinburgh. De Casmaker reinforcing his interest and passion for the project;
“I’m really excited about this project. The idea of finding the lightness in dark material really attracts me to the theatre and in this show we are hitting a very realistic view of death head-on and then finding the joy and the lightness that comes from that”
Set to deliver on tears of laughter, and a few shed out of inspiration, Dead Good has received positive coverage for its tackling of a hushed subject, with Tammy Gooding of BBC Hereford & Worchester awarding the production five stars, advising audiences to bring tissues.
Following on from their sell-out production of “You’re a Good Man Charlie Brown“, Bare Productions return to the Festival Fringe with The Addams Family. The macabre family who make our own seem downright dull.
Proven to have a respectful place within Edinburgh’s amateur theatre circle, Bare Productions has only been around for two years, yet already they’ve made an impression. With their previous show receiving rave reviews, things are only looking positive for this year’s production.
The multi-award-winning team of authors Marshall Brickman, Rick Elice and composing lyricist Andrew Lippa brought the kooky, bleak and melancholy family of musical theatre into a fresh new narrative. The usual Mistress of Darkness, Wednesday Addams, made infamous with Christina Ricci’s cinematic portrayal finds herself in love. Yup, you read that correctly, and with a normal, chipper young man from middle-class suburbia no less.
A production which promises dance, song and humour, Bare Productions have a pleasing show for us all. Directed by Dominic Lewis, featuring the choreography of Felicity Thomas, The Addams Family will be that dark corner of the Fringe you’ll be dying to join.
Featuring a cast of local talent, Bare Productions are eager to make a second impression at this year’s Festival. Sticking within the realms of musical comedies, they’re hoping The Addams Family will provide this. With one look at the costume design, and musical director Finlay Turnball proving himself last year, we look forward to seeing how The Addams Family will turn out.
With a limited run towards the beginning of the Fringe, it is highly advisable to *dah-nah-nah-nah* snap up a ticket.