The Adventures of Curious Ganz – Assembly Roxy

Directed by Sarah Wright

Words by Anna Maria Murphy

Puppetry offers a form to the imagination that few other mediums can capture. Benefiting from a physical dimension, it takes an edge over animation, cinema and lighting effects. It makes our dreams, our hopes, and even our nightmares, significantly tangible. The Adventures of Curious Ganz told with miniatures, string and rod puppets is an enchanting piece which delves into history, alchemy and the stars.

Curiosity is, like its sibling necessity, a catalyst of science, imagination and adventure. Glossing over the colonial aspects of exploration, Curious Ganz tells the tale of a small, nosy man who is never without his trusty magnifying glass. Setting out on the open ocean, or the deepest mines of Peru in search of something, anything, Ganz encounters a familiar royal who herself finds interest in the world beyond the River Thames.

From Queen Lizzy the First to the Duffers, and even a disgustingly adorable caterpillar, Sarah Wright’s lead set and puppet design from a team consisting of Lyndie Wright, Liz Walker, Alice King, Mae Voogd, Katie Williams & Luke Wood are exceptional. Basing their production on the life of copper smelter Joachim Gans, the ability to shift us from the universe’s beginning to the stench of old London seamlessly is a testament of their profession. Liz Walker, Avye Leventis/Nix Wood and Ailsa Dalling’s conduct a wealth of tales from their fingertips, straying from drama to comedy and into touching moments with ease.

Naturally, it wouldn’t be children’s theatre without some countermanding fear to balance the sickeningly charming characters. In his bid to stifle science and maintain his authority in the Queen’s court, the Prime Minister may have a small role but it showcases the inventiveness of the Little Angel Theatre. Defiant that the world is flat, the puppet of the Prime Minister looms over model earth, with a tiny boat heading towards the edge. As he warns of sea monsters, leviathans and beasts, enormous puppet creatures sway back and forth around him. Sharply crafting him, his features strike imposing shadows on the cold stone of the Assembly theatre.That’s the thing about ‘kid’s shows, in an audience with one child -there are many more adults- it’s evidence of our appetite for shows such as Curious Ganz.

Unfortunately, there is some incoherence with the narrative, which causes the imagination to come off the reigns. It leads to the climax feeling rushed, bombastically throwing a great deal at the audience, and when contrasted with the slow, simple opener as the universe evolves, seems heavy on visuals, and light on reserved storytelling.

Understandably, this eruption of creativity comes from a place of enthusiasm. Which is what you’ll find heaping’s off throughout Curious Ganz, passionate storytelling which stumbles on its coattails to showcase as much delightful puppetry as possible in the fifty-minute runtime. Offering a revised insight into historical discovery, with delightful puppets of all shapes and sizes, Little Angel Theatre and Silent Ride are alchemists of storytelling, spinning wood, plastic and string into gold.

Review originally published for The Wee Review: https://theweereview.com/review/the-adventures-of-curious-ganz/

Suffering from Scottishness – Assembly Roxy

Written by Kevin P Gilday

Runs at Assembly Roxy until August 26th (Not 13th or 20th), 17.10pm

Irn Bru, Grand Theft Auto, Nessie, Haggis, the Telephone, Lewis Capaldi, Pride, Sense of Humour and the highest drug death rate in Western Europe Annie Lennox. With all of these things, why the hell wouldn’t you want to be Scottish?

Ever thought to yourself; “I know what would fix this country”, well, now you have the chance to prove yourself in envisioning a brand-new Scottish Citizenship Test. It’s an honour, you know. To be lucky enough to have a hand in fashioning the history of this magnificent country’s borders.  

Suited and booted, Kevin P. Gilday is here on behalf of a government body to gauge our responses to a vital question: Just what does it mean to be Scottish? Suffering from Scottishness is a part of HighTide’s Disruption, which sees six contemporary pieces presented in partnership with Assembly. In a turn of Orwellian ingenuity, Suffering from Scottishness is both social experiment and theatrical plaything.

If you’ve never seen Gilday before, you’ll quickly realise why he is an award-winning writer and spoken word artist. In particular, his control of poetry is a selling feature of the production above its unique concept. A well placed spoken word can turn a sea of people in a way a written one can only dream.

Nationalism. It’s a bit of dirty word these days. Wasn’t always, still has redeeming qualities, but quite often it now goes hand in hand with a sense of blindness. Blindness to see that Scotland has issues, so does the rest of the world, but we’re ignoring several life-threatening ones on our doorstep.

Audience interaction. The make or break of a production. Luckily, Gilday knows precisely where to gauge the level. Instead of directly involving the audience, he looks for their assistance, still seating, it draws us all in closer.

Everyone is now on even footing, we’re engaging together, not watching separately. If anything, there isn’t enough involvement – one suspects more is the plan, after testing waters.

Light-hearted, uplifting and a bit of fun, Suffering from Scottishness also has a ripple of commentary. It’s a mirror, which at first capitalises on Scotland’s idiosyncratic features – only for the glass to shatter, revealing the motive underneath. It’s a compelling play, with a profound poet notion, not only to its words but its concept.

Tickets available from: https://tickets.edfringe.com/whats-on/suffering-from-scottishness

Ane City – Assembly Roxy

Written by Taylor Dyson

Directed by Calum Kelly

Runs at Assembly Roxy, August 10th – 26th, 14.20pm

Dundee. Home of Jam, Jute and Journalism. It also just so happens to have the highest cases of drug-death in Europe. Austerity, lowest life-expectancy in Western Europe and yet, a fiercely proud city, in its way.

Drawing inspiration from the town’s motto; ‘Ane City, Many Discoveries’, Taylor Dyson writes about coping with an identity crisis – something concerning a growing number of young adults today, particularly those from a working-class background.

On a night out in Dundee, finally able to catch up with her pals, Taylor finds herself a stranger in her homeland. Disconnecting with her sister, missing out on her friend’s latest stories, but cannot return to her destructive life in Glasgow.

Once you fly the nest, can you ever return home? If you do, chances are it won’t be the same. It’s a bard’s tale, Dyson relying on her uncanny abilities in rhyme and verse with excellently explosive vocals.

If at any point you thought you could miss Fatties, The Overgate or even nights outside Seagate bus station – I’d have said you’re mad. Dyson describes the city of discovery with the honesty it deserves, Hilltown n’ all. Deeply personal, there are no falsehoods to Ane City, putting its heart on the table.

Taking inspiration from ABBA, Ane City’s soundtrack comprises parodies of famous tunes with Dyson’s wording to tie it into the narrative. Vocally, she has an aggressive, emotive voice which is perfect for the tone. Accompanying her is guitarist, also director, Calum Kelly, earning his keep with a pleasant score.

Freshly grown Elfie Picket Theatre are hitting the scene with bold-personal ideas. Despite the flowing language, a grasp of which is enviable for most spoken word performers, it feels loose. Promising strands misalign, the context of jokes will be lost to some, even if the intention is noble.

What is clear is the fiery, artistic anger of the artistic merits of working-class women who deserve to have the chance to strikeout. It isn’t always perfect, but Ane City has a prevailing start, which glints at the company which will take no prisoners and put their spoken word to the people.

Tickets available at: https://tickets.edfringe.com/whats-on/ane-city